No Man Is As Cursed As the Kinslayer

The Sacrifice of Iphigenia, Arnold Houbraken
-Rijksmuseum, Amsterdam

To mark the ten year anniversary of Radio Westeros E07 – Stannis- A Just Man, I thought I’d share this new Stannis essay that’s been brewing since I read Madeline Miller’s “Song of Achilles.” As usual, I’m strictly looking at book canon here. Hope you enjoy!

“Things are now as they are;

they will be fulfilled in what is fated;

neither burnt sacrifice nor libation

of offerings without fire

will soothe intense anger away.”

-Aeschylus, Agamemnon

Stannis Baratheon is the tragic Greek in a cast of characters that is pulled mainly from the pages of British and European history and legend. His stern and dark mien recalls Agamemnon and the cursed House of Atreus. Complete with his own Calchas in the person of Melisandre of Asshai, Stannis, like Agamemnon, is burdened with a family history of treachery, incest and kinslaying. 

This isn’t to say there aren’t other inspirations to be found in the person of Stannis Baratheon. Shakespeare’s Macbeth is there and Richard III as well, not to mention the Roman general Coriolanus. But it’s Agamemnon’s tragic story that seems to have the most resonance in the arc Stannis is moving along, and in spite of Melisandre’s promises about the future, perhaps Stannis would be wise to heed the advice of Aeschylus on the implacable nature of fate implied in the opening quote.

Our first PoV viewpoint of Stannis Baratheon comes in the Cressen Prologue in ACoK. Through Cressen’s eyes we see Stannis as a painfully awkward middle child, whose rigid devotion to duty and righteousness is more curse than blessing. And of course by the end of the chapter we see the Lord of Dragonstone as a sovereign dangerously in the thrall of a zealous witch. 

And it’s also in the Cressen Prologue that we get the first hint of where Stannis’ arc, and his red witch, are leading him, when his daughter Shireen tells Cressen:

I had bad dreams […] About the dragons. They were coming to eat me.

Now, Dragonstone is full of gargoyles carved in the likeness of dragons, and of course it comes with a grim history that would surely be accessible to an educated child. The tale of her ancestor Rhaenyra Targaryen being fed to a dragon by her half brother Aegon II in the courtyard of the fortress is one that certainly might have preyed upon Shireen’s imagination.  

But since, if nothing else, dragons represent fire, a dream of being eaten by dragons may actually be dream code for being burned alive. And so we should take careful note of Shireen and the ways in which her fate seems to be prefigured throughout the series. 

In ASoS, in Davos V, Stannis discusses his next moves in Council after hearing of the death of Robb Stark at the Twins. Some weeks previously, Stannis had burned three leeches full of the blood of his nephew Edric Storm and named for his rivals – Joffrey Baratheon, Balon Greyjoy and Robb Stark. Now we see his wife Selyse, her uncle Ser Axell Florent, and Melisandre all insisting that first Balon’s and now Robb’s deaths are proof of the power of King’s blood to manipulate Stannis’ destiny. All three are urging Stannis to give the boy Edric to Melisandre’s flames, to fulfill the claim that “king’s blood” would “wake the dragon”. When Stannis objects that all the sorcery his ancestors had attempted in order to bring back their fabled dragons had failed, Selyse was ready with an answer:

None of these was the chosen of R’hllor. No red comet blazed across the heavens to herald their coming. None wielded Lightbringer, the red sword of heroes. And none of them paid the price. Lady Melisandre will tell you, my lord. Only death can pay for life.

“None of them paid the price.” Stannis knows what that means — Melisandre of Asshai wants Edric Storm, and his supposedly magical king’s blood, for her sacrificial flames. “Give me the boy for R’hllor […] and the ancient prophecy shall be fulfilled. Your dragon shall awaken and spread his stony wings. The kingdom shall be yours.” Adding their voices to hers, both Axell and Selyse insist that Edric’s death will ensure Stannis’ triumph and the destruction of his enemies. 

While Selyse strives to convince him that it is Edric, the product of what she sees as Robert defiling her marriage bed with her cousin, who has has cursed their union and denied Stannis sons of his own, Stannis continues to insist that the child is innocent and cannot be held accountable for his own conception.  Melisandre, as ever, has an answer to his objections:

The Lord of Light cherishes the innocent. There is no sacrifice more precious. From his king’s blood and his untainted fire, a dragon shall be born.

Only Davos Seaworth, now Stannis’ Hand, remains unconvinced. Thinking of the screams of burning souls, he stands up to remind his King of a Westerosi taboo as old as civilization itself:

I know little of dragons and less of gods… but the queen spoke of curses. No man is as cursed as the kinslayer, in the eyes of gods and men.

It’s a simple statement, but one that has informed Westerosi culture for millennia. Along with a prohibition on violating guest-right, the taboo against kinslaying has helped to preserve the balance of society throughout history. As Rickard Karstark reminds Robb before his own execution: “Old gods or new, it makes no matter, no man is so accursed as the kinslayer.”

And we have only to look at the most significant example of mass kinslaying in Westerosi history to see the presumed curse in action. In the Dance of the Dragons, House Targaryen nearly destroyed itself in an orgy of kinslaying and dragon-slaying that reduced the once mighty dragonlords to a single surviving male heir, and removed their dragons from the game of thrones, apparently for all time.

These are Stannis Baratheon’s forebears, and he references their failed subsequent attempts to restore their dragons and the glory of their house when his wife urges him to sacrifice his bastard nephew to Melisandre’s flames. He does not make the connection of kinslaying with the nadir of House Targaryen, but examining the history of their civil war all those generations ago leads one to the inescapable conclusion that, for House Targaryen at least, there is a through line from kinslaying to an accursed and irreversible diminishment.

But Melisandre remains insistent about the fate of Edric Storm. Reminding Davos and Stannis that in her worldview there is only R’hllor and the Other, who are the very ones requiring the sacrifice and thus cannot be responsible for cursing the sacrificer, she states: “Only death can pay for life, my lord. A great gift requires a great sacrifice.”

Davos obstinately refuses to accept her claims, and reminds the council that, for all Melisandre’s claims, only two kings have died, and those at the hands of others. “Who did your leeches kill?” he asks, which elicits a rare laugh from Stannis: “Two is not three.” But the Red Woman, as ever, has an answer, one which chills Davos Seaworth to the bone:

If Joffrey should die in the midst of all his power, surrounded by his armies and his Kingsguard, would not that show the power of the Lord at work?”

When Stannis grudgingly agrees that it might, something is set in motion that may one day lead him into the darkest of places. Though Davos remains to press his lord about the fate of Edric Storm, Stannis will not hear him. He is too busy wrestling with the implications of what may be required of him. Speaking of his duty to the realm he asks his Hand a question:

How many boys dwell in Westeros? How many girls? How many men, how many women? The darkness will devour them all, she says. The night that never ends. She talks of prophecies… a hero reborn in the sea, living dragons hatched from dead stone… she speaks of signs and swears they point to me. I never asked for this, no more than I asked to be king. Yet dare I disregard her? […] We do not choose our destinies. Yet we must… we must do our duty, no? Great or small, we must do our duty.

Reminded of the cost — to Edric, to Shireen who loves her cousin, and to his own soul — Stannis states the question that is consuming him: “If Joffrey should die… what is the life of one bastard boy against a kingdom?” 

For Davos Seaworth, the answer is everything. Stannis, it will turn out, has been placed on a dialectical path to a very different answer — that the life of one child is a reasonable trade to save millions. And in fact, when word comes some days later of Joffrey’s death at his own wedding, and Melisandre once again asks for the boy, Stannis proves himself nearly ready to accede, asking for one final confirmation: “You swear there is no other way? Swear it on your life, for I promise, you shall die by inches if you lie.”

Melisandre promises to give him his kingdom if he gives her Edric Storm, but Davos has foiled them. Forewarned of Joffrey’s death by Sallador Saan, Davos had spirited the boy away to safety with the assistance of a handful of men who remained loyal to Stannis rather than to his Red Woman. Insisting that he was only fulfilling his own oath of service to his King — to give honest counsel and protect his people — Davos confessed to his transgression and stood his ground, knowing that his life was on a precipice.

The frustrated king once again made the case that his own duty to protect his people required a sacrifice of him:

I never asked for this crown. Gold is cold and heavy on the head, but so long as I am the king, I have a duty… If I must sacrifice one child to the flames to save a million from the dark… Sacrifice… is never easy, Davos. Or it is no true sacrifice. Tell him, my lady.

And it’s Melisandre’s answer that is the keystone of the foundation that’s been assembled step by step throughout the whole debate about the fate of Edric Storm that meanders through ASOS. Only in hindsight does it seem obvious that the foundation is not about Edric Storm at all, but about a very different sacrifice that will, one day, be required of Stannis:

Azor Ahai tempered Lightbringer with the heart’s blood of his own beloved wife. If a man with a thousand cows gives one to god, that is nothing. But a man who offers the only cow he owns…

As we know, Davos saves his own life by reminding Stannis of his duty to the realm and revealing the threat that is coming from the North, as described in a letter sent by Stannis’ great-great-uncle, Maester Aemon of the Night’s Watch. Stannis will head north to the Wall, in a fleet propelled by winds bought with the sacrifice of his wife’s uncle Alester Florent, and it will fall to Jon Snow to remove the bearers of king’s blood that are found there — Mance Rayder’s infant son and the ancient scion of House Targaryen, Maester Aemon— from Melisandre’s orbit.

TWoW will find Stannis and his army camped in an icy crofter’s village in an increasingly hopeless situation. Food is scarce and the weather is brutal, preventing them from seeking shelter elsewhere. The specter of desperate cannibalism stalks his troops. There will almost certainly be attempts to gain the favor of R’hllor through sacrifice — Stannis holds several Karstarks— distant relatives of the one-time Kings in the North— captive, as well as both Theon and Asha Greyjoy, children of a man who claimed kingship. The idea of waking dragons with king’s blood, which had previously reached its peak in the desperate aftermath of the loss at the Blackwater, will no doubt once again be raised.

For the moment, Shireen is at Castle Black with her mother and Melisandre. But who can say what will happen in the aftermath of Jon Snow’s stabbing and Stannis’ presumed last ditch effort to take Winterfell from the Boltons? As things get truly desperate for Stannis’ cause, one has to wonder what the adherents of R’hllor might propose if they run out of sacrificial victims. Will Stannis, or Selyse, or their followers, recall Melisandre’s words about sacrifice: “If a man with a thousand cows gives one to god, that is nothing. But a man who offers the only cow he owns…”? 

Let’s suppose Stannis hits rock bottom in his fortunes— perhaps he sees everything slipping away, or perhaps the Others begin to make inroads south of the Wall. At the same time, he retains his absolute belief in his duty and his destiny. Will he start to wonder about “the only cow he owns…” and look around for prospects? What happens if he has sacrificed his captives to no avail, or has simply lost his control over them, and he feels the desperate need for some king’s blood to finally fulfill that prophecy that’s been just out of reach for him all these years? Will he look at the one obvious candidate, through whose veins flows his own kingly blood, the innocent child who could very much — more so than Edric Storm ever could— be described as “the only cow he owns”? Will he recall his conviction when, after hearing of Joffrey’s death, he finally came to believe in the power to king’s blood to affect his destiny? Could Stannis ever conceive of sacrificing his own child if he thought it would save the world?

In answer we must only look as far as his own words to Davos Seaworth when he had, finally, allowed that he must give his nephew Edric Storm to Melisandre’s flames:

If I must sacrifice one child to the flames to save a million from the dark… Sacrifice… is never easy, Davos. Or it is no true sacrifice.

As for Shireen’s fate, we return to that first time we saw her, in the Prologue of ACOK: “I had bad dreams […] About the dragons. They were coming to eat me.” As previously stated, dragons are the personification of fire. Perhaps Shireen’s lifetime of nightmares about dragons are her drop of dragon blood shrieking a warning to her. Because a man who was willing to allow the murder of his brother and sacrifice his innocent nephew to the flames, who is so far down the all consuming path where duty and destiny overshadow his most basic human instincts, would surely not stop at making the ultimate sacrifice, the hardest sacrifice of all, to purportedly save humanity. 

In Greek mythology, the Greek army gathers at the port of Aulis to prepare to sail for Troy to retaliate against the Trojan abduction of Helen of Sparta. But Agamemnon had offended the gods and for that the entire fleet lay becalmed, unable to sail and unable to retreat. It was Agamemnon’s prophet Calchas who declared that Iphigenia, the eldest daughter of his lord, must be given in sacrifice to appease the gods and change the winds.

In ASOIAF we see Melisandre sacrifice Alester Florent for a favorable wind to speed Stannis’ fleet northwards, perhaps a small nod to where this story is headed. In some versions of the Greek story, Iphigenia is rescued at the last moment by the intervention of the goddess Artemis. In all versions, her father took the fateful decision to make what would surely have been considered the ultimate sacrifice — his own child’s life in exchange for the successful attainment of his destiny.

Though we cannot know exactly how things will play out in TWOW and ADOS, we have compelling prefiguring in ACOK, ASOS, and ADWD that, when push comes to shove, Stannis Baratheon will be willing to sacrifice a child if it means he is doing his duty and fulfilling his destiny of saving the world. Of course, much and more can and has been said about Melisandre’s errors of interpretation as far as the prophecy goes, but what will matter in the end is Stannis’ absolute belief in it. The gift of his precious and innocent only child to what Davos Seaworth thinks of as “the red woman’s demon god” will exactly fulfill all of the rhetoric we saw on the subject in ASOS pertaining to Edric Storm. 

Ultimately Stannis will sacrifice his daughter Shireen in the desperate belief that the act will save humanity. However, while Agamemnon had the immediate arrival of fair winds to justify his own decision, it seems very unlikely that Stannis will be so blessed. What follows will be the culmination of the tragedy of Stannis Baratheon. Like all Greek tragedies, Stannis’ story will end with an exodus and he will depart the stage abandoned and cursed by the gods. As all good Westerosi know:

Old gods or new, it makes no matter, no man is so accursed as the kinslayer.

Two Little Birds: Melisandre and Davos

Stannis by Calliope

Stannis stood abruptly. “R’hllor. Why is that so hard? They will not love me, you say? When have they ever loved me? How can I lose something I have never owned?” He moved to the south window to gaze out at the moonlit sea. “I stopped believing in gods the day I saw the Windproud break up across the bay. Any gods so monstrous as to drown my mother and father would never have my worship, I vowed. In King’s Landing, the High Septon would prattle at me of how all justice and goodness flowed from the Seven, but all I ever saw of either was made by men.”

“If you do not believe in gods —”

“ — why trouble with this new one?” Stannis broke in. “I have asked myself as well. I know little and care less of gods, but the red priestess has power.”

Yes, but what sort of power? “Cressen had wisdom.”

“I trusted in his wisdom and your wiles, and what did they avail me, smuggler? The storm lords sent you packing. I went to them a beggar and they laughed at me. Well, there will be no more begging, and no more laughing either. The Iron Throne is mine by rights, but how am I to take it? There are four kings in the realm, and three of them have more men and more gold than I do. I have ships . . . and I have her. The red woman. Half my knights are afraid even to say her name, did you know? If she can do nothing else, a sorceress who can inspire such dread in grown men is not to be despised. A frightened man is a beaten man. And perhaps she can do more. I mean to find out.

“When I was a lad I found an injured goshawk and nursed her back to health. Proudwing, I named her. She would perch on my shoulder and flutter from room to room after me and take food from my hand, but she would not soar. Time and again I would take her hawking, but she never flew higher than the treetops. Robert called her Weakwing. He owned a gyrfalcon named Thunderclap who never missed her strike. One day our great-uncle Ser Harbert told me to try a different bird. I was making a fool of myself with Proudwing, he said, and he was right.” Stannis Baratheon turned away from the window, and the ghosts who moved upon the southern sea.

“The Seven have never brought me so much as a sparrow. It is time I tried another hawk, Davos. A red hawk.”

George R.R. Martin, A Clash of Kings, Davos I

In the preceding passage from ACoK, Stannis talks about his disillusionment with the Seven after he witnessed his parents’ deaths in a storm on Shipbreaker Bay. He then goes on to equate the Faith of the Seven with his one-time pet goshawk Weakwing, while suggesting that the faith of R’hllor might be a different kind of hawk altogether. Not only does this discussion reveal Stannis’s pragramtic and somewhat cynical view of religion, but it also leaves room for correlating Davos and Melisandre with these two religions. In this sense one could view Davos and Mel, who are arguably the chief of Stannis’s advisers, as the opposing birds on his shoulders. Perhaps like Odin’s ravens Hugin and Munin, who represent thought and memory, or the shoulder angels of Christian iconography, Mel and Davos represent a duality in Stannis’s thinking that in his cynical pragmatism he feels free to embrace.

It has been argued that Stannis grows in flexibility surrounding the issue of religion as his arc progresses, and it’s possible this could be tied to Davos’s rise as a principal adviser. In this sense Davos could represent, perhaps not the Seven precisely, but respect for the faiths of the fathers in something that might be called memory, as embodied by Odin’s raven Munin. Melisandre, on the other hand, represents the new faith, prescience and forethought, or the concept of thought as embodied by Hugin.

We first see both Davos and Melisandre in Cressen’s point-of-view chapter, where we learn that Davos and Cressen seem to have a mutual respect, while Cressen and Melisandre have a mutual wariness. Cressen finds Mel’s influence on Stannis to be dangerous, to say the least. When a comment by Selyse makes it plain to him that Melisandre will advocate, if not foster, Stannis killing Renly, Cressen determines to kill Mel. Yet we know from Mel’s point of view in ADwD that the first thing she had learned to see in the flames, and the first thing she always looked for, was danger to her own person. While Stannis later confesses he did not want Cressen to die, he appears to suggest there was some inevitability to his death, meaning Mel has convinced him that it was necessary and, if we know anything about Stannis, just. Davos, on the other hand, tries to remind Stannis of Cressen’s wisdom and faithfulness. When Davos determines to kill Mel himself after Blackwater, she again proves that she is aware of dangers to herself. Later in ASoS, while smuggling Edric Storm to freedom, Davos asserts that Mel perceives these dangers in her flames. He has reached any uneasy stalemate with the Red Woman, based mostly upon the conviction that no mortal weapon could stop her.

Both Mel and Davos exert greater influence upon Stannis than any other adviser we see until Jon Snow convinces him of his course of action relative to the North in ADwD. It is Mel who directs most of his policy in ACoK, with her promises of delivering his kingdom to him using the divine power at her disposal. She brings him to Storm’s End and his brother’s death. Because she has interpreted her vision of the Blackwater defeat as a morrow never made she encourages Stannis in besieging the city, going as far as to predict victory, though Davos remains naturally cautious. After the defeat of the Blackwater becomes reality, Stannis retreats to Dragonstone to grind his teeth and consider his options. Melisandre begins to prepare Stannis to turn his focus to the battle to come:

These little wars are no more than a scuffle of children before what is to come. The one whose name may not be spoken is marshaling his power  . . . a power fell and evil and strong beyond measure. Soon comes the cold, and the night that never ends.

From ASoS onwards Davos is given increasing access and trust due to his loyalty and pragmatism. Both Mel and Davos prove to be devoted to Stannis, and are quite single-minded and confident of what they believe in, so they do share some common ground in spite of their obvious differences. The result is that they are great foils to each other. While Melisandre advocates a very black-and-white world view, which seems on the surface to fit with Stannis’s all-or-nothing view of justice and truth, Davos has a more nuanced viewpoint. Davos has the appearance of being very black and white, with his devotion and loyalty to Stannis framing his commitment to truth. But, like Stannis, he can see value in actions that perhaps Mel cannot. In relying upon her flames, Mel can sometimes miss the simple conclusions about people that Davos sees quite clearly. This, along with his commitment to truth, turns out to be exactly what Stannis values, as we see when he raises Davos to a Lordship and the office of Hand of the King:

[D]o you swear to serve me loyally all your days, to give me honest counsel [emphasis mine] and swift obedience, to defend my rights and my realm against all foes in battles great and small, to protect my people and punish my enemies?

In spite of Davos’ objections, Stannis reminds him that “All I ask of you are the things you’ve always given me. Honesty. Loyalty. Service.” What Stannis needs is someone honest and sensible enough to help him win his temporal kingdom in advance of the great battle Mel is preparing him for.

Following the escape of Edric Storm, it seems that in spite of Davos’s transgression, Stannis cannot bring himself to let go of one of the only two honest and faithful advisers he has. When Davos presents the letter from the Night’s Watch which contains information Davos knows Mel has seen in her flames, we see perhaps the first intersection of their agendas.

From Davos’s viewpoint, the defense of Westeros from the Wildling threat is a pragmatic strategy aimed at gaining the support of the northern lords by defending the kingdom as the true king should. As he tells Stannis, “[You] had the cart before the horse . . .[,] trying to win the throne to save the kingdom, [rather than] trying to save the kingdom to win the throne.” Mel on the other hand, sees the Wall as the place where the next battle for the Dawn will begin. In her view, Stannis as Azor Ahai Reborn is man’s savior from an endless winter. Yet for the first time in Stannis’s quest for the throne, his principal advisers have a common recommendation.

Once Stannis begins to balance the advice of these two, to consider both thought and memory as it were, his way must seem more clear. Certainly he sends Davos on his pragmatic mission to raise White Harbor with a clear goal of gaining the support of northern lords. Mel remains at his side to advise him on what the flames tell her about the Enemy and the battle to come.

Both Melisandre and Davos are invaluable resources for Stannis. From providing him with supernatural knowledge to giving him steady and honest advice, without these two voices on his shoulders Stannis’s way forward might not have been clear to him, and his opportunities and successes may have been dramatically different. Though their voices are sometimes in opposition, their common goal of success for their King unites them in a unique and powerful way.

As discussed in Radio Westeros Episode 07: Stannis- A Just Man

Artwork courtesy of Calliope, with many thanks!

A Girl in Grey: Rethinking Melisandre’s Vision in ADwD

Warning: The following content contains spoilers for The Winds of Winter


sketch by cabepfir

sketch by cabepfir

“I have seen your sister in my fires, fleeing from this marriage they have made for her. Coming here, to you. A girl in grey on a dying horse, I have seen it plain as day. It has not happened yet, but it will.”

With these words Melisandre of Asshai reassures Jon that his sister Arya will arrive at Castle Black, fleeing from her marriage to Ramsay Snow. Significantly, this first description of the vision makes it clear that the girl she saw was dressed in grey. We have found only one girl in story who meets all the criteria, and it is not Alys Karstark, but another young girl who has good reason to be fleeing from her marriage: Jeyne Poole.

In spite of her self confessed inaccuracies at reading the flames, Mel feels enormous pressure to convince Jon of the truth of her vision:

The girl. I must find the girl again, the grey girl on the dying horse. Jon Snow would expect that of her, and soon. It would not be enough to say the girl was fleeing. He would want more, he would want the when and where, and she did not have that for him. She had seen the girl only once. A girl as grey as ash, and even as I watched she crumbled and blew away.

She discusses her plans with Mance Rayder, disguised as Rattleshirt, who asks where the girl is to be found:

“I saw water. Deep and blue and still, with a thin coat of ice just forming on it. It seemed to go on and on forever.”
“Long Lake. What else did you see around this girl?”
“Hills. Fields. Trees. A deer, once. Stones. She is staying well away from villages. When she can she rides along the bed of little streams, to throw hunters off her trail.”
He frowned. “That will make it difficult. She was coming north, you said. Was the lake to her east or to her west?”
Melisandre closed her eyes, remembering. “West.”
“She is not coming up the kingsroad, then. Clever girl. There are fewer watchers on the other side, and more cover.”

Desperate to save his little sister, yet fully conscious of his position as the Lord Commander of the Night’s Watch, Jon ultimately sends Mance Rayder and a handful of Wildling spearwives on a covert mission to find her:

A grey girl on a dying horse, fleeing from her marriage. On the strength of those words he had loosed Mance Rayder and six spearwives on the north.

Not long after, on the very day the Queen Selyse arrives with Tycho Nestoris in tow, a girl arrives at the Wall:

“A girl’s been found.”
“A girl?” Jon sat, rubbing the sleep from his eyes with the back of his hands. “Val? Has Val returned?”
“Not Val, m’lord. This side of the Wall, it were.”
Arya. Jon straightened. It had to be her. “Girl,” screamed the raven. “Girl, girl.” “Ty and Donnel came on her two leagues south of Mole’s Town. They were chasing down some wildlings who scampered off down the king-sroad. Brought them back as well, but then they come on the girl. She’s highborn, m’lord, and she’s been asking for you.”
“How many with her?” He moved to his basin, splashed water on his face. Gods, but he was tired.
“None, m’lord. She come alone. Her horse was dying under her. All skin and ribs it was, lame and lathered. They cut it loose and took the girl for questioning.”
A grey girl on a dying horse. Melisandre’s fires had not lied, it would seem.

Notice that Jon leaps to the conclusion that this is Arya, the girl seen in Mel’s flames, on the strength of the dying horse. But we suggest this is a red herring. First of all, take the presence of the lake in Melisandre’s vision, which Mance identified as Long Lake. Long Lake is by no means on the route someone fleeing the Karhold would have taken to Castle Black, being well west of  the Karhold and moreover at roughly the same latitude and across a major river. We simply have no reason to imagine that Alys Karstark (whom this girl turns out to be) went so far out of her way to reach the Wall.

And while Alys Karstark is indeed fleeing from a marriage, nowhere is she associated with grey. In fact, she is dressed in Night’s Watch black on the only two occasions that she is described. When Jon first sees her:

The girl was curled up near the fire, wrapped in a black woolen cloak three times her size and fast asleep.

And then on the occasion of her marriage to Sigorn:

Her maiden’s cloak was the black wool of the Night’s Watch. The Karstark sunburst sewn on its back was made of the same white fur that lined it.

The Karstark colors are black and white. Although Alys is described as having a passing resemblance to Arya, not once is the word grey associated with her. But there is another young girl, also fleeing a marriage, and riding a dying horse who is dressed in grey.

Jeyne Poole, commonly called fArya after her forced imposture of Arya Stark, is heading to the Wall in the company of Ser Justin Massey, as we learned in TWoW Theon chapter:

“You will escort the Braavosi banker back to the Wall. Choose six good men and take twelve horses.”
“To ride or eat?”
[…]
“Oh, and take the Stark girl with you. Deliver her to Lord Commander Snow on your way to Eastwatch.”

Much has been made of the condition of the horses in Stannis’ army in ADwD, we are made aware that there is no fodder for them and that the army has been reduced to eating them. Later in the Theon chapter Stannis makes it plain that his forces must now fight afoot; they simply no longer have the horses to mount their knights. It seems likely then, that the horse bearing Jeyne to the Wall will be dying.

Furthermore, the route from Stannis’ camp to Castle Black might very possibly take riders around the eastern side of Long Lake, especially if they were avoiding the Kingsroad or have been forced to flee across country.

As for Jeyne’s garb, we know that when Theon and Abel’s washerwomen stage their rescue, they find her naked:

The wolfskins fell away from her. Underneath them she was naked, her small pale breasts covered with teeth marks. He heard one of the women suck in her breath.

But the plan was to dress her in Squirrel’s clothes, and they proceed as planned:

Rowan thrust a bundle of clothes into his hands. “Get her dressed. It’s cold outside.” Squirrel had stripped down to her smallclothes, and was rooting through a carved cedar chest in search of something warmer.

Squirrel’s clothes, it turns out, are grey:

When Squirrel returned, the other four were with her: gaunt grey-haired Myrtle, Willow Witch-Eye with her long black braid, Frenya of the thick waist and enormous breasts, Holly with her knife. Clad as serving girls in layers of drab grey roughspun, they wore brown woolen cloaks lined with white rabbit fur.

So Jeyne is dressed in grey, fleeing a marriage, and heading to the Wall on a dying horse. Add the fact that she has been instructed to be Arya Stark and we have a compelling case that she is the girl Mel saw in her flames. One final possible hint in support of Jeyne as the grey girl is this thought from Mel:

A girl as grey as ash, and even as I watched she crumbled and blew away.

Taking the last four words, we could look both at the condition Jeyne is in after her escape with Theon:

When the tip of her nose turned black from frostbite, and the one of the riders from the Night’s Watch told her she might lose a piece of it, Jeyne had wept over that as well.

It seems as if her nose might indeed crumble from her face. As for blowing away, we need look no further than Jon’s thoughts on what he would do with his sister if she indeed turned up at the Wall:

The best solution he could see would mean dispatching her to Eastwatch and asking Cotter Pyke to put her on a ship to someplace across the sea, beyond the reach of all these quarrelsome kings.

If Jeyne is placed on a ship bound for Braavos, as Jon had considered, she would indeed be “blown away” across the stormy Narrow Sea.

The significance of Jeyne being the grey girl is that Jon’s conclusion that Alys Karstark was the girl from the vision led him to mistrust Melisandre’s advice:

“Daggers in the dark. I know. You will forgive my doubts, my lady. A grey girl on a dying horse, fleeing from a marriage, that was what you said.”
[…]
“A grey girl on a dying horse. Daggers in the dark. A promised prince, born in smoke and salt. It seems to me that you make nothing but mis-takes, my lady.

Mel has cautioned Jon repeatedly about the daggers in the dark, and the skulls around him, and she warned him to keep Ghost close:

“It is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold.”

But Jon is disillusioned after her supposed mistake with Alys Karstark, and fails to heed her advice. One might argue that this lapse leads directly to his fate at the end of ADwD. Had Jon more faith in her words, it’s possible the daggers in the dark might have been avoided. One more poignant example, we suggest, of GRRM showing us the fickle nature of fate and the double edge of prophesy.

As discussed on Radio Westeros: Episode 03 — A Red, Red Star